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Bear groggily wakes from a winter slumber, lumbering outside to greet the world. But if he had slept one more second, he would have missed it: “the moment—the moment—in a day that started everything.” An enchanting song is heard. Bear follows the sound and finds a dainty chickadee singing her heart out. She is, in fact, practicing for the opera. “AHHH-PERA,” says Bear. And then questions: “What’s the Opera?” (“It’s a story with lots of singing.”) Bear wonders if he could be part of the opera, too. Bird’s wide-eyed expression at Bear’s “BASSO PROFUNDO” voice leads readers to guess that his talents might be lacking. The two practice together and audition. In an unexpected twist, Bear does not get the part (though Bird does). But the love that has developed between them transcends all. They are still an undeniable duet, and when winter returns, Bird promises to watch over Bear as he sleeps. Kazemi’s ethereal forest, full of smudged trees and floating dandelion wisps, enhances the sentimental atmosphere of these sweet soul mates. The intended audience might not immediately hear John Paul Young’s crooning voice once the title is read, but listening to “Love Is in the Air” or an operatic aria is a logical next step. (This book was reviewed digitally.)
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